An experimental classification of the programming patterns for scheduling in computer music programming

Hiroki Nishino

An experimental classification of the programming patterns for scheduling in computer music programming

Hiroki Nishino^*

^*此作品的通信作者

National University of Singapore

研究成果: 圖書/報告稿件的類型 › 會議稿件 › 同行評審

摘要

How to schedule a desired temporal pattern is one of the most elementary issues to consider when implementing a computer music system, and there already exist several major programming patterns for scheduling. However, such computer music-specific programming patterns seem to not be discussed as frequently as general programming patterns, and thus there may still be some necessity for additional clarification. For instance, the programming pattern called temporal recursion may be better described as self-rescheduling, when contrasted with other programming patterns that perform similar tasks. In this paper, we describe four programming patterns that can be seen in the existing computer music languages and propose the names for these programming patterns. Such a discussion can benefit by initiating the discussion on the computer musicspecific programming patterns in our community, to avoid an unnecessary ambiguity in further investigation of the related programming patterns.

原文	英語
主出版物標題	Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy
主出版物子標題	From Digital Echos to Virtual Ethos
編輯	Georgios Kouroupetroglou, Anastasia Georgaki
發行者	National and Kapodistrian University of Athens
頁面	1156-1159
頁數	4
ISBN（電子）	9789604661374
出版狀態	已出版 - 2014
對外發佈	是
事件	40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos - Athens, 希臘持續時間: 14 09 2014 → 20 09 2014

出版系列

名字	Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos

Conference

Conference	40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos
國家/地區	希臘
城市	Athens
期間	14/09/14 → 20/09/14

文獻附註

Publisher Copyright:
© 2014 Hiroki NISHINO.

其它文件與鏈接

Link to publication in Scopus

引用此

Nishino, H. (2014). An experimental classification of the programming patterns for scheduling in computer music programming. 於 G. Kouroupetroglou, & A. Georgaki (編輯), Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos (頁 1156-1159). (Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos). National and Kapodistrian University of Athens.

Nishino, Hiroki. / An experimental classification of the programming patterns for scheduling in computer music programming. Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos. 編輯 / Georgios Kouroupetroglou ; Anastasia Georgaki. National and Kapodistrian University of Athens, 2014. 頁 1156-1159 (Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos).

@inproceedings{fce647af2f1e4f469d63c0d06b7a5cf0,

title = "An experimental classification of the programming patterns for scheduling in computer music programming",

abstract = "How to schedule a desired temporal pattern is one of the most elementary issues to consider when implementing a computer music system, and there already exist several major programming patterns for scheduling. However, such computer music-specific programming patterns seem to not be discussed as frequently as general programming patterns, and thus there may still be some necessity for additional clarification. For instance, the programming pattern called temporal recursion may be better described as self-rescheduling, when contrasted with other programming patterns that perform similar tasks. In this paper, we describe four programming patterns that can be seen in the existing computer music languages and propose the names for these programming patterns. Such a discussion can benefit by initiating the discussion on the computer musicspecific programming patterns in our community, to avoid an unnecessary ambiguity in further investigation of the related programming patterns.",

author = "Hiroki Nishino",

note = "Publisher Copyright: {\textcopyright} 2014 Hiroki NISHINO.; 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos ; Conference date: 14-09-2014 Through 20-09-2014",

year = "2014",

language = "英语",

series = "Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos",

publisher = "National and Kapodistrian University of Athens",

pages = "1156--1159",

editor = "Georgios Kouroupetroglou and Anastasia Georgaki",

booktitle = "Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy",

}

Nishino, H 2014, An experimental classification of the programming patterns for scheduling in computer music programming. 於 G Kouroupetroglou & A Georgaki (編輯), Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos. Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos, National and Kapodistrian University of Athens, 頁 1156-1159, 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos, Athens, 希臘, 14/09/14.

An experimental classification of the programming patterns for scheduling in computer music programming. / Nishino, Hiroki.
Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos. 編輯 / Georgios Kouroupetroglou; Anastasia Georgaki. National and Kapodistrian University of Athens, 2014. p. 1156-1159 (Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos).

研究成果: 圖書/報告稿件的類型 › 會議稿件 › 同行評審

TY - GEN

T1 - An experimental classification of the programming patterns for scheduling in computer music programming

AU - Nishino, Hiroki

PY - 2014

Y1 - 2014

N2 - How to schedule a desired temporal pattern is one of the most elementary issues to consider when implementing a computer music system, and there already exist several major programming patterns for scheduling. However, such computer music-specific programming patterns seem to not be discussed as frequently as general programming patterns, and thus there may still be some necessity for additional clarification. For instance, the programming pattern called temporal recursion may be better described as self-rescheduling, when contrasted with other programming patterns that perform similar tasks. In this paper, we describe four programming patterns that can be seen in the existing computer music languages and propose the names for these programming patterns. Such a discussion can benefit by initiating the discussion on the computer musicspecific programming patterns in our community, to avoid an unnecessary ambiguity in further investigation of the related programming patterns.

AB - How to schedule a desired temporal pattern is one of the most elementary issues to consider when implementing a computer music system, and there already exist several major programming patterns for scheduling. However, such computer music-specific programming patterns seem to not be discussed as frequently as general programming patterns, and thus there may still be some necessity for additional clarification. For instance, the programming pattern called temporal recursion may be better described as self-rescheduling, when contrasted with other programming patterns that perform similar tasks. In this paper, we describe four programming patterns that can be seen in the existing computer music languages and propose the names for these programming patterns. Such a discussion can benefit by initiating the discussion on the computer musicspecific programming patterns in our community, to avoid an unnecessary ambiguity in further investigation of the related programming patterns.

UR - http://www.scopus.com/inward/record.url?scp=84908876277&partnerID=8YFLogxK

M3 - 会议稿件

AN - SCOPUS:84908876277

T3 - Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos

SP - 1156

EP - 1159

BT - Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy

A2 - Kouroupetroglou, Georgios

A2 - Georgaki, Anastasia

PB - National and Kapodistrian University of Athens

T2 - 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos

Y2 - 14 September 2014 through 20 September 2014

ER -

Nishino H. An experimental classification of the programming patterns for scheduling in computer music programming. 於 Kouroupetroglou G, Georgaki A, 編輯, Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos. National and Kapodistrian University of Athens. 2014. p. 1156-1159. (Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos).

An experimental classification of the programming patterns for scheduling in computer music programming

摘要

出版系列

Conference

文獻附註

其它文件與鏈接

指紋

引用此