Analysis of J. S. Bach’s suite no. 5 in C minor, BWV 1011 from the perspective of polyphony

研究成果: 期刊稿件文章同行評審

摘要

The most impressive feature of J. S. Bach’s Cello Suite No. 5 in C Minor is that the fifth suite is the only one among his six cello suites to have applied scordatura. However, for most cellists, the difficulty of this suite is not to turn the A string down to G nor the fingering after the change of the open string, but to present the perfect polyphonic structure through a single solo instrument. As Bach’s manuscript has been lost, the Suite in G Minor for Lute (BWV 995), which was arranged after Suite No. 5 in C Minor, is the best source available to better understand the structure of his polyphony. In this paper, the author investigates Suite No. 5 in C Minor by juxtaposing Bach’s Suite in G Minor for Lute and Anna Magdalena Bach’s manuscript of Suite No. 5 in C Minor published by Bärenreiter-Verlag. A comparison between the cello and lute editions unveils the voice-leading hidden within the melodic lines of the work.

原文英語
頁(從 - 到)33-54
頁數22
期刊Journal of Music Research
2019
發行號30
DOIs
出版狀態已出版 - 2019

文獻附註

Publisher Copyright:
© 2019, National Taiwan Normal University-College of Music. All rights reserved.

指紋

深入研究「Analysis of J. S. Bach’s suite no. 5 in C minor, BWV 1011 from the perspective of polyphony」主題。共同形成了獨特的指紋。

引用此